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| Twelve Angry Men | ||||
| Written
by: Reginald Rose Directed by: Ian Pring Performed: 23rd-26th July 2003 at St. Ann's Hall, Wandsworth Archive Details: Here |
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| NODA Review by John Huckle | ||||
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SUMMARY REPORT
The play was set in the present with some small changes to the dialogue.
The story was carefully revealed during the dialogues between the jurors as juror no 8, Paula Fitzgerald who delivered this demanding role with assurance, quietly questioned the strongly held beliefs of the other jurors.
It was clear that particular attention had been paid to the casting of the play, each character looked the part and was convincing in engaging with the audience. Some of the jurors had more demanding roles such as Paul Johnson, as the highly emotional juror no 3; Steve Kietzmann whos main concern was his base ball tickets; Benjamin Ellis with his intellectual superiority and Sara Stickland with her blind prejudice. All the jurors performed to a high standard delivering each character with conviction and consistency including their accents, full marks to all of them. Orna Joseph was the softball coach forced to be the foreman; Frances Holmes was the quite and thoughtful character; Luke O'Reilly was the juror who really had experienced life on the street; Geoff Hall was the dependable working class painter and decorator; Ada Halley was the older but still observant and independent juror; Julia Coleman was an unflappable Scandinavian who was wedded to the theory of democratic responsibility; Susan Jones was the capricious ad agency gal willing to run any idea up a flag pole. The role of Guard requires a determined dependability with attention to detail and was finely played by David Russell.
The technical aspects of the show were all of a high standard.
The set and props were very simple and yet effective with good attention to detail, I particularly liked the saluting of the photo of George Bush.
The acting space was used well and extended by the use of the rear doors and the door to the rest room in the auditorium on stage left.
The costumes were carefully chosen so that they supported the contemporary setting.
The lighting design and execution added to the play. The sound canvas was particularly well thought out and effective. I liked the use of Coplands fanfare for the common man.
Congratulations to the Director Ian Pring who succeeded in delivering an entertaining and engaging piece of drama and to Sharron Stubbs whos production efforts also paid off.
The Front of House team were most welcoming and efficient as was the catering team.
The play was ideally suited to the reorientation of the acting space and the use of raked seating.
Yet again the company were able to produce a very striking image for their advertising that was carried through from the advertising material to the programme. I found the programme helpful but I still think that you could have had a bit more in the programme, perhaps a little bit about the club, a welcoming note from the chairman, a synopsis of the play? As I wrote in my last review it all adds to the audiences enjoyment of the show and it means that you can justify charging a little more for the programme
This was a show that really worked due to the hard work of the whole
company and the director. I had a thoroughly enjoyable evening thank you. |
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